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				<div style="text-align:left;margin-bottom:20px;">  		</div><span itemprop="name" class="title">Schnellkurs Kunstgeschichte Malerei<br></span><p>Autoren:<br><span itemprop="author" class="author"><b>Volker Gebhardt</b></span></p><p>Verlag:<br><b itemprop="publisher">DuMont Buchverlag </b>&nbsp;&nbsp;<a onclick="SearchPubl('DuMont Buchverlag ')" href="#">Weitere Titel dieses Verlages anzeigen</a></p>		
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<span class="notbold">Auflage: </span>Nachdruck.<br><span class="notbold">Erschienen: </span>November 2013<br><span class="notbold">Seiten: </span>228<br><span class="notbold">Sprache: </span>Deutsch<br><span class="notbold">Preis: </span>14.90 €<br><span class="notbold">Illustration: </span>11 Schwarz-Weiß- und 190 farbige Abbildungen
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						<h1><a href="_9783832190712_inhalt.html">Inhaltsverzeichnis</a></h1>
						<p><table border="0" style="width: 100%; text-align: left;" class="htmltd"><tbody><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="7" style="padding-bottom: 10px; font-weight: bold; text-align: left;" class="htmltd">Vorwort</td></tr><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top; font-weight: bold;" class="htmltd">Das
Mittelalter</td><td style="text-align: right;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Vorbemerkung</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">10</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Das
Erbe
der
Antike</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">11</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Der
Bilderstreit
-
Von
der
Ikone
zum
Tafelbild</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">13</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Der
Beginn
der
Malerei
im
Mittelalter</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">14</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
karolingische
Renovatio</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">15</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Vom
10.
zum
12.
Jahrhundert
-
Die
Zeit
der
Romanik</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">16</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Spanien
und
die
Araber</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">19</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Das
13.
Jahrhundert
-
Die
Zeit
der
Hochgotik</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">20</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Profane
Bildthemen
im
Mittelalter</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">22</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Arbeitsweise
und
Stellung
des
Künstlers</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">23</td></tr><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top; font-weight: bold;" class="htmltd">Spätmittelalter
und
Frührenaissance</td><td style="text-align: right;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Spätmittelalter
oder
Renaissance?</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">24</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Giotto</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">26</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Alternative
in
Siena
-
Duccio
und
die
Brüder
Lorenzetti</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">29</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Internationale
Gotik</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">31</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Der
Triumph
der
Buchmalerei
in
Frankreich</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">33</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Renaissance
in
Florenz
-
Der
Beginn
einer
neuen
Zeit</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">34</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Masaccio
-
Die
zweite
Revolution
der
Malerei</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">37</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Florenz
von
1420
bis
1450
-
Die
Formierung
der
Avantgarde</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">38</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Campin
und
van
Eyck
-
Der
Triumph
der
Ölmalerei</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">40</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Von
van
der
Weyden
zu
Memling</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">42</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Piero
und
Lorenzo
de'
Medici
-
Höfische
Kunst
in
Florenz</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">45</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Kunst
der
italienischen
Höfe
-
Pisanello
und
Mantegna</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">48</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Piero
della
Francesca</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">50</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Der
Beginn
der
Ölmalerei
in
Venedig
-
da
Messina
und
Bellini</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">52</td></tr><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top; font-weight: bold;" class="htmltd">Hochrenaissance
und
Manierismus</td><td style="text-align: right;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Eine
Welt
im
Umbruch</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">54</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Renaissance
und/oder
Manierismus?</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">56</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Leonardo</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">57</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Michelangelo</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">60</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Raffael</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">63</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Manierismus
in
der
Toskana
und
Oberitalien</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">65</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Rosso
Fiorentino
und
die
Schule
von
Fontainebleau</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">68</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Renaissance
in
Venedig
-
Bellini
und
Giorgione</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">69</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Tizian
und
Lotto</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">70</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Veronese
und
Tintoretto</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">72</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">El
Greco</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">74</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Dürer
und
die
deutsche
Renaissance</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">75</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Grünewald</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">78</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Holbein
und
die
Malerei
in
England</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">80</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Altdorfer
und
Cranach</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">82</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Malerei
in
den
Niederlanden
-
Von
Bosch
bis
Brueghel</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">83</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Kunstkammer
-
Hofkunst
des
Spätmanierismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">85</td></tr><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top; font-weight: bold;" class="htmltd">Barock
-
Die
Kunst
des
17.
Jahrhunderts</td><td style="text-align: right;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Malerei
im
Zeitalter
des
Absolutismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">88</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Ausgangspunkte:
Carracci
und
die
Bologneser
Schule</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">90</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Alternative:
Caravaggio</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">92</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Velazquez
und
die
spanische
Malerei</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">94</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Malerei
Mitteleuropas</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">96</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Malerei
Frankreichs
-
Poussin,
Lorrain,
de
la
Tour</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">98</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Malerei
Flanderns
-
Rubens
und
van
Dyck</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">100</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Malerei
der
Niederlande
-
Die
Voraussetzungen</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">103</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
holländischen
Bildgattungen
-
Spiegel
des
Lebens</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">105</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Frans
Hals</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">108</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Rembrandt</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">109</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Vermeer</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">110</td></tr><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top; font-weight: bold;" class="htmltd">Vom
Rokoko
zur
Romantik</td><td style="text-align: right;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Auflösung
traditioneller
Bildmuster</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">112</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Fortführung
der
großen
Traditionen
-
Tiepolo</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">115</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Rokoko
in
Mitteleuropa</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">116</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Welt
als
Komödie
und
Hirtenspiel
-
Das
französische
Rokoko</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">118</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Experimente
mit
der
Farbe</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">119</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Vedute
und
Capriccio</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">121</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Malerei
in
England</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">122</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Klassizismus
in
der
Malerei
-
Jacques-Louis
David</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">126</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Goya</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">128</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Romantik</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">130</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Füssli
und
Blake</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">132</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Runge
und
Friedrich</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">133</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Deutsche
und
dänische
Malerei
zwischen
Romantik
und
Realismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">135</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Menzel</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">136</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Constable
und
Turner</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">136</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Gericault
und
Delacroix</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">138</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Ingres</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">141</td></tr><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top; font-weight: bold;" class="htmltd">Vom
Realismus
zum
Jugendstil</td><td style="text-align: right;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Aufbruch
in
die
Moderne</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">142</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Courbet
und
der
Realismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">144</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Präraffaeliten</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">147</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Manet</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">149</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Salonmalerei
und
Orientalismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">151</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Malerei
in
Nordamerika</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">153</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Impressionismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">154</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Bedeutende
Künstler
des
französischen
Impressionismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">159</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Postimpressionismus
-
Gauguin,
Seurat,
Signac</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">162</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Cezanne</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">164</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Symbolismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">165</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Jugendstil
in
München
und
Wien
-
Stuck,
Klimt
und
Schiele</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">168</td></tr><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top; font-weight: bold;" class="htmltd">Die
Kunst
der
Moderne</td><td style="text-align: right;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Beginn
der
modernen
Kunstgeschichte
-
Wölfflin,
Riegl,
Warburg</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">170</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Fauvismus
und
Matisse</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">174</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Expressionismus
in
Deutschland</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">176</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Wege
zur
Abstraktion</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">178</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Kubismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">179</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Futurismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">180</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Orphismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">181</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Blauer
Reiter</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">182</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Suprematismus
und
Konstruktivismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">184</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">De
Stijl</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">185</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Dada</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">186</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Bauhaus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">188</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Neue
Sachlichkeit
und
Realismus
in
Amerika</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">188</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Beckmann</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">190</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Pittura
Metafisica</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">191</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Surrealismus</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">191</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Klassische
Tendenzen
-
1920
bis
1945</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">193</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Kunst
im
Faschismus
und
Stalinismus
-
1933
bis
1945</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">194</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Picassos
Guernica</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">196</td></tr><tr><td colspan="7" style="line-height: 4px; font-size: 4px;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top; font-weight: bold;" class="htmltd">Die
Malerei
nach
1945</td><td style="vertical-align: top; text-align: right; font-weight: bold;" class="htmltd"> </td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Malerei
nach
1945
-
Abstraktion
oder
Realismus?</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">198</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Malerei
in
Deutschland
-
Tradition
und
Avantgarde</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">200</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Malerei
in
Frankreich
und
Spanien</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">201</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Malerei
in
den
Vereinigten
Staaten
-</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Abstract
Expressionism
und
Action
Painting</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">203</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Pollock
und
de
Kooning</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">204</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Newman
und
Rothko</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">205</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Bacon</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">208</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Johns
und
Rauschenberg</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">209</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Positionen
in
den
1960er
Jahren
-
Klein,
Fontana,
Kawara,
Twombly</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">211</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Pop-Art
-
Warhol
und
Lichtenstein</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">214</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Die
Klassiker
der
»Westkunst«
in
Deutschland</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">217</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Malerei
seit
1989
-
Ein
Ausblick</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">219</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Bibliografie</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">222</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Personenregister
der
Künstler
und
Kunsttheoretiker</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">223</td></tr><tr><td colspan="6" style="vertical-align: top;" class="htmltd">Foto-
und
Copyrightnachweis</td><td style="vertical-align: top; text-align: right; font-weight: normal;" class="htmltd">227</td></tr></tbody></table><br /><br /><br /></p>
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