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     Artikel werden geladen

    Italienische Literaturwissenschaft

    Eine Einführung

    Italienische Literaturwissenschaft
    Eine Einführung

    Autoren:

    Verlag:
    Narr Dr. Gunter  Weitere Titel dieses Verlages anzeigen

    Auflage: 2. Auflage
    Erschienen: März 2012
    Seiten: 262
    Sprache: Deutsch
    Preis: 19.99 €
    Maße: 230x164x20
    Einband: Taschenbuch
    Reihe: bachelor-wissen
    ISBN: 9783823366997

    Register

    Anhang
    Sachregister
    Die Verweise beschränken sich auf diejenigen Seiten, auf denen Definitionen und Erläuterungen sowie
    Problem- und Anwendungskontexte des jeweiligen Begriffs zu finden sind. Rhetorische Figuren und Stil-
    mittel sind im Register nicht aufgeführt; sie sind auf den Seiten 60-62 und 64-65 zusammengestellt.
    Achsensprung 236
    Adaption (Film) 242
    Akt 105 t.
    Aktant 145,153
    Allgemeine Literaturwissenschaft 192t.
    Anachronie 140,237
    Anagnorisis 105
    Analepse 140
    Architextualitât 214
    Ästhetische Distanz 199
    Aufschreibesystem i8f.
    Aufzeichnung (Film) 242
    Autobiographie 133
    Autor, Autorfunktion 13,214
    Autoreferenzialität 14
    Ballade 69
    Basis 179t.
    Beiseite-Sprechen (Drama) 103
    Beleuchtung 233
    Biographie (Gattung) 133
    Botenbericht 103
    Briefroman 132
    Charakter, Charakterisierung 104,144t.
    Chor 105
    Comédie italienne 113
    Commedia dell'arte 92
    Commedia erudita 94
    Crepuscolari 83
    Dekadenz, decadentismo 83
    Dekonstruktion 2i7ff.
    Deskriptivität, deskriptiv 22
    Deutungskanon 35
    Dialog (Drama) 102t.
    Dialogtraktat 133
    Didaskalie 96
    Diegese 135
    Differenz 219
    Differenzfeminismus 201
    Direkte Rede, s. Rede
    Diskurs (Narratologie) 136t.
    Diskursanalyse, historische 2isff.
    Distanz (Narratologie) i4iff., 154t.
    Distanz, ästhetische, s. ästhetische Distanz
    Drama 92fr.
    Dramatische Gattungen (Übersicht) 92ff.
    Dramatischer Knoten 106
    Dramenfigur 98fr.
    Dramma pastorale 94
    Drehbuch 224,235
    Dreipersonenregel 102
    Effektgeräusche 234
    Einheiten, aristotelische 107
    Einstellungsgröße 230L
    Einstellungsprotokoll 224t.
    Empirische Leserforschung 197
    Endecasillabo 71
    Enjambement 70
    Entpragmatisierung nf.
    Epik i3off.
    Epische Gattungen (Übersicht) 131IÏ.
    Epochen 31t.
    Epos 24,130t.
    Ereignis 147
    Erlebte Rede, s. Rede Erwartungshorizont 199
    Erzähler i36ff.
    Erzählprofil, Erzählsituation 143
    Erzählte Zeit 140,237
    Erzählzeit 140,237
    Essay 30
    Exposition 106
    Extradiegetisch 137
    Farce 93
    Feld, literarisches i8if.
    Feministische Literaturwissenschaft 20iff.
    Feuilletonroman 132
    Figur 98ff., 144IÏ.
    Figuren konstellation 104,145t.
    Fiktion, Fiktionalität iof.
    Filmanalyse 224
    Filmtranskription 224ff.
    Fokalisierung (Film) 238
    Fokalisierung (Text) 142t.
    Formalismus 9
    Futurismus 8
    Anhang
    Gattungen, Gattungssystem 23, 25t., 28ff., 179t.
    Gattungshierarchie 24
    Gedankenrede, s. Rede Geisteswissenschaften 42,56t, 168
    Gender 201
    GenderStudies 2oiff.
    Genetischer Vergleich i88f.
    Genieästhetik 27
    Giallo 132
    Habitus 182
    Handlung 105fr., 146fr.
    Haupt-/Nebentext 95t
    Hermeneutik 56ff.
    Hermeneutischer Zirkel 57t., 198
    Hirtendrama 94
    Historischer Roman 132,150
    Horizontwandel 199
    Hybridität 195
    Hybris 100
    Hypodiegetisch 138
    Imagologie 193t
    Imitatio 28f.
    Impliziter Leser 137, 201
    Indirekte Rede, s. Rede Inszenierung (Drama) 102
    Interpretation 59
    Intertextualität 188,213fr.
    Intradiegetisch 138
    Intrige 105
    Isotopie 63,66f., 81,85,87L
    Jump-cut 236
    Kamerafahrt 232
    Kameraperspektive 232
    Kameraschwenk 232
    Kanon 34t., 203
    Kanzone 68f.
    Kapital, symbolisches i8if.
    Katastrophe (Drama) 100,105t.
    Katharsis 105
    Komödie 94
    Komparatistik i88ff.
    Kompetenz 38fr Konfiguration (Drama) 104
    Konflikt (Drama) 105h Konstellationsschema (Drama) 104
    Kriminalroman 132
    Kulturtransfer 194fr.
    Leerstellen 198,200
    Libretto 94
    Literaturbegriff 4,15,22
    Literaturgeschichte 23t., 31fr.
    Literatursoziologie 178fr.
    Literaturverfilmung 242fr.
    Literaturwissenschaft 23,38t.
    Logozentrismus 218
    Lyrik 6zff.
    Lyrische Gattungen (Übersicht) 78t.
    Makrostruktur 62
    Märchen 133
    Marxismus 178t.
    Mauerschau 103
    Medium, Medien 16, i8f.
    Melodram ma 94
    Metadiegetisch 138
    Metalepse 139
    Meta-teatro i2of.
    Metatext 214
    Methode 38,47,59, i68f.
    Metrik, Metrum 70t.
    Mikrostruktur 62
    Mimesis 24,135
    Mittlerer Held 100
    Modul (Modularisierung) 40t.
    Monolog (Drama) 103
    Montage 235fr.
    Motiv 62,146, i86f.
    Musik im Film 233t.
    Mysterienspiel 92t.
    Narratologie 136
    Neorealismus/neorealismo 132t., 159,251t.
    Normativität, normativ 22,28,32
    Novelle 131t.
    Objektivität, objektiv 58t., 168, i7off.
    Offene/geschlossene Form (Drama) 107t.
    Oper 94
    Opposition 63,67,88
    Paradigma 206
    Paratext 7,11,96,214t.
    Periodisierung 31
    Peripetie 105t.
    Personenkonstellation 104,145
    Phallogozentrismus 201
    Phonozentrismus 218
    Plot 146t.
    Poetik, poetologisch 22ff.
    Poetizität, poetisch gf., 22,68
    Polysemie 219
    Positivismus 169fr.
    Prolepse 140
    Prosa 133
    Prosimetrum 133

    Anhang
    Protagonist 98
    Psychoanalyse, psychoanalytische Lit.wiss. 172ft.
    Psychologisierung 144t.
    Questione della lingua 27t.
    Raffung 140,237
    Raum (Erzählung) 147
    Ready-made 12
    Realismus 132
    Realitätseffekt 146,229
    Rede io2ff., 135,137,140ft.
    Referenzialität, referenziell 11,15
    Regieanweisung 96
    Regisseur (Drama) 100,102
    Reim 72
    Resistenza 158T, 251
    Retardierendes Moment 106
    Rezeption 34,188,196ft.
    Rezeptionsästhetik 198ft.
    Rhetorik 22t., 26,60,64
    Rhythmus 70
    Rollenbruch 103
    Roman 132
    Sacra rappresentazione 93
    Schäferroman 132
    Schlüsselqualifikationen 38ft.
    Schnitt 224,235ft.
    Schuss/Gegenschuss 235
    Scuola storica 170t.
    Semiotik 2iif.
    Sequenzprotokoll 227t.
    Sestine 69
    Sex/Gender 201
    Signifikant/Signifikat 17,59t., 218
    Simulacrum 208t.
    Sonett 68f., 76t.
    Ständeklausel 26,100
    Stegreiftheater 92
    Stichomythie 102
    Stilarten 24t.
    Stimme (Narratologie) 136T
    Stoff 62,186
    Stoffgeschichte 144
    Strophe 68ff.
    Struktur 58fr, 2o6ff.
    Strukturalismus 206E
    Strukturanalyse s8ff., 209
    Synchronisation 234
    Syntagma 207
    Szene (Drama) io6f.
    Szenenverknüpfung 107
    Teatro di narrazione 95
    Textimmanenz, textimmanent 58,206
    Textkritik 43
    Textphilologie 33
    Theaterwissenschaft 95
    Thema 62, i86f.
    Tirade 103
    'Tod des Autors' 214
    Ton (Film) 233C
    Tragikomödie 94
    Tragödie 24,26,94C
    Transferforschung 194
    Transformation 242
    Transtextualität 214
    Triadisches Zeichenmodell 212
    Typen (Drama) 100
    Typologischer Vergleich 190
    Überbau 179
    Verfilmung, s. Literaturverfilmung Verismo 170
    Vermittlung 180
    Vers 68ff.
    Volgare 27
    weibliches Schreiben 201
    Zäsur 70T
    Zeit (Narratologie) 139t.
    Zoom 232