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Verlag:
Modernes Lernen Borgmann Weitere Titel dieses Verlages anzeigen
| Einführung | 9 | |
| Vorüberlegungen | 12 | |
| Therapeutische Aspekte der Kunsttherapie | 12 | |
| Überlegungen zum Setting | 17 | |
| Die Bedeutung des Materials | 22 | |
| Zweidimensionale Verfahren | 25 | |
| Vorüberlegungen zum Bereich Malerei / Zeichnen | 27 | |
| Ich male - also bin ich! | 27 | |
| Übersicht über die Materialien und ihren Einsatz | 30 | |
| Überlegungen zur Bildbetrachtung | 38 | |
| Übungsverläufe zum Bereich Malerei/Zeichnen | 40 | |
| Erläuterungen | 40 | |
| Einstiegsübungen, um den Bildanfang zu erleichtern | 40 | |
| Zufallstechniken | 41 | |
| Weitermalen an Bildern aus Zufallstechniken | 51 | |
| (Körper-) Umrissbilder | 56 | |
| „Rückwärtsmalen" | 60 | |
| 2 | -Minuten-Bilder | 62 |
| Spuren zeichnen | 70 | |
| Das Malspiel mit vorgegebenen Linien | 72 | |
| Kommunikationsübungen | 76 | |
| Gruppenübung: Farben vermischen | 76 | |
| Das Malen mit Platzwechsel | 83 | |
| Kontaktmalen | 85 | |
| Das Bild als Frage/Antwort | 90 | |
| Malerische Interaktion | 93 | |
| „Geflecht" | 95 | |
| Partnerübung: Blindporträts | 97 | |
| Auflockerungsübung | 99 | |
| Die vier Elemente | 101 | |
| Themenbezogene Übungen | 103 | |
| Eine Wandgestaltung: Gruppenmemory | 103 | |
| Malen zu verschiedenen Musikstücken | 110 | |
| Malen zur Musik | 113 | |
| Märchen malen | 117 | |
| Sich mit einer Figur identifizieren | 119 | |
| Abschiedsritual | 121 | |
| Gestalten eines Therapieverlaufes | 122 | |
| Thema: Nähe-Distanz | 123 | |
| Ich male „NEIN" | 126 | |
| Indisches Farbmahl | 128 | |
| Der Weg im Labyrinth | 131 | |
| Malen und Bewegung | 138 | |
| Das Arbeiten in der Stille | 141 | |
| Phantasiereise: „Ein Ort, an dem ich mich wohlfühle" | 141 | |
| Phantasiereise: „Mein Baum" | 142 | |
| Tastendes Zeichnen | 145 | |
| Porträtbilder | 145 | |
| Gegenstände ertasten und zeichnen - 4 Übungen | 150 | |
| Zeichnen mit geschlossenen Augen | 153 | |
| Eine innere Landschaft zeichnen | 154 | |
| Eine Seifenblase (ein Ball) | 157 | |
| Gestisches Zeichnen | 161 | |
| Farben erspüren | 164 | |
| Formen erspüren | 169 | |
| Intuitive Farbwahl | 172 | |
| Kalt und Warm | 174 | |
| Das Runde und das Eckige | 175 | |
| Wie viel Raum brauche ich? | 176 | |
| Druckverfahren | 178 | |
| Einführung | 178 | |
| Die einzelnen Techniken | 180 | |
| Monotypie | 181 | |
| Styrenedruck (Styropor) | 185 | |
| Linol- und Holzschnitt | 189 | |
| Holzschnitt | 193 | |
| Fazit | 195 | |
| Collage | 196 | |
| Materialverwendung und Bedeutung | 196 | |
| Wirkung und Eigenschaften der Collage | 197 | |
| Formen der Collage | 198 | |
| Übungsverläufe | 201 | |
| Ein Gesamtbild entsteht | 201 | |
| Gruppenmosaik | 202 | |
| Assoziieren als kunsttherapeutische Möglichkeit | 204 | |
| Assoziatives Gestalten | 205 | |
| Gestaltung mit fremden (und/oder eigenen) Bildteilen | 207 | |
| Gruppencollage: Phantasiewesen | 216 | |
| Erste Kontaktaufnahme | 220 | |
| Das Fundstück | 221 | |
| Kunsttherapeutische Einstiegsübungen im Fotolabor | 223 | |
| Fotografie und Fotolabor als Medium in der Kunsttherapie | 223 | |
| Übungsverläufe | 227 | |
| Chemogramm | 227 | |
| Fotogramm | 230 | |
| Fotogramm mit körperlichen und biografischen Aspekten | 232 | |
| Arbeiten mit Sand | 235 | |
| Materialverwendung und -beschreibung | 235 | |
| Charakteristika des Sandes | 236 | |
| Techniken im Umgang mit Sand | 238 | |
| Übungsverläufe | 240 | |
| Übung Meeresstrand | 240 | |
| Projektarbeit mit Sand | 242 | |
| Filzen | 245 | |
| Einführung zur Arbeit mit Wolle und Filz | 245 | |
| Übungsverlauf | 246 | |
| Textileinsatz: Filzen | 246 | |
| Dreidimensionales Gestalten | 249 | |
| Die Plastik | 251 | |
| Techniken und Materialien | 251 | |
| Tonerde | 251 | |
| Papiermache | 254 | |
| G'PS | 254 | |
| Naturmaterialien | 255 | |
| Plastilin | 255 | |
| Übungsverläufe | 256 | |
| Gruppenarbeiten | 256 | |
| Spontane Gruppenarbeit mit Ton | 262 | |
| Gruppendynamische Tonarbeit | 263 | |
| Gruppenarbeit mit Papiermache | 268 | |
| Naturplastik | 270 | |
| Übungen, auf den Einzelnen bezogen | 271 | |
| Spontane Tongestaltung | 271 | |
| Thematische Tongestaltung | 273 | |
| Die Grundformen | 275 | |
| Labyrinth im Ton | 278 | |
| Strukturierungsübung mit Ton | 280 | |
| Gipsrelief | 282 | |
| Maskenarbeit | 286 | |
| Einführung in die Arbeit mit Masken | 286 | |
| Bau von Gipsmasken | 289 | |
| Pappmachemasken über Ton kaschiert | 292 | |
| Gestaltung einer Papiertütenmaske | 298 | |
| Anregungen zum Maskenspiel | 299 | |
| Die Skulptur | 301 | |
| Bildhauerische Materialien | 303 | |
| Übungsverläufe | 307 | |
| Gruppenverläufe | 307 | |
| Holzbildhauer-Projekt | 305 | |
| Auf den Einzelnen bezogene Übungen | 311 | |
| Von der Anmutung zur Form | 311 | |
| Von der Idee zur Form | 314 | |
| Form-Gegenform | 317 | |
| Schlusswort | 319 | |
| Anmerkungen | 321 | |
| Autorinnen | 321 | |
| Ausbildungsstätten der Autorinnen | 324 | |
| Literatur | 325 | |